This post is part of the Japanese Fiction Week, hosted here.
For more information about the week, head over here.
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Today I am thrilled to welcome Zoe Marriott, author of the fantastic Shadows On the Moon, to Portrait of a Woman. She will be talking to us about her passion for Japanese culture and her favourite books.
I'm really not an expert on Japan. People think that I am because I wrote Shadows on the Moon, which is set in a faerytale version of Feudal Japan. I've been praised for the amount of historical detail included, and sometimes people assume I must have visited Japan many times. But the fact is that I've never been there even once, although it's my life's ambition to, one day. And I've barely scratched the surface of this fascinating culture.
I actually kind of like it that way. It means I've got so much more to learn, and that's the best way to feel about anything you love the way I love Japan. Because I really do. If Japan were a person and not a country, I would totally be it's stalker (also, wouldn't he or she be *gorgeous*?). Japan's many years of conscious and careful isolation up to the nineteenth century have resulted in a wealth of music, art, folklore, shared images and dreams and history which literally have no counterpart in any other country. In Europe and the Americas, in Russia, even in the middle east, it's possible to trace a mythological figure from nation to nation, transforming as he goes, or find a hundred different versions of the same story. Even China shares some of this. All that stops when you hit Japan. The fairytales and under-the-bed monsters, the turns of phrase that the Japanese people take for granted are utterly new and alien and all the more breathtakingly lovely and terrifying for that!
The only other country I can think of with this kind of unexplored culture is Australia. But the aboriginal peoples of Australia were slaughtered and oppressed by white settlers who tried their best to stamp out the history of the land they had taken by force. The surviving indigenous people resent appropriation fiercely (for good reason, since they are trying so hard to recover and conserve that culture themselves!). The Japanese, on the other hand, still have a dominant and evolving cultural identity within their own nation. This allows them to appropriate freely from the rest of the world in their own media, and so it seems fair to borrow a little of their culture in return, even as an outsider.
The obsession started young for me. Really young. So young that I can't tell you how old I was, only that I was small enough to sit cross legged in front of the television set and not get yelled at because my head was in the way. It was a Sunday afternoon and I'm pretty sure it was raining, but that's pretty much the only stuff I can remember about that day because every other braincell I have is taken up with the glorious, amazing, life-changing thing I saw. Hayao Miyazaki's animated film Laputa - now known as Castle in the Sky.
It's the story of a little orphan girl who is abducted by ruthless and ambitious men who intend to force her to reveal the secrets of her ancestor's power - the power to command a mythical floating city filled with unimaginable treasures and weapons of unbelievable power. There's a sweet, innocent love story, and sky pirates, and a moment when this tiny, round faced child stands resolute before a man who shoots off both her braids because she refuses to give up her secret to someone who will abuse it.
I'm pretty sure I never recovered. I mean, Disney was all very well (and you'll have to pry my copies of Beauty and the Beast and Tangled out of my cold dead hands) but COME ON. I'd never seen anything like Laputa in my life before. Beautiful, funny, disturbing, tragic, terrifying, unique and bittersweet, it exposed me to emotions and images that stayed with me for life. The girl flinging herself from the plane in desperation. The pendant glowing with a beautiful and sinister glow and her featherlike floating process through the sky, peaceful and serene. The glowing crystals in the underground caverns. The strangely lovely and mournful robots and their bird-like mechanical voices. The great city fallen to ruins, all covered in giant trees the size of skyscrapers and thick, jewel-like moss. When my brother tracked down a copy of this on DVD for me for Christmas one year (back before it was widely released in the English speaking world) I cried all over him. Not the reception he was probably going for. But it meant that much to me.
I think I've spent the last twenty-odd years of my life searching to recapture that feeling - the feeling of diving headfirst into a magical and unexplored country - again. Once I figured out who'd made Laputa I tracked down every other film he'd ever made and devoured them. Princess Mononoke, Spirited Away, Nausicaa, My Neighbour Totoro, The Cat Returns. And when I ran out of Hayao Miyazaki I moved onto Paprika and Millenium Actress by Satoshi Kon. All these are a great place to start exploring this powerful artform and beginning to gain an inkling of how fascinating Japanese culture is.
Not keen on paranormal? Then how about just plain old hilarious? Ouran High School Host Club (again, a long running series that is now complete) is probably one of the the best mangas I've ever read. It freely mocks and subverts normal shojo (that's girl's manga) tropes while at the same time squeezing laughs out of them. Haruhi - a poor, out of place, genius scholarship student at a prestigious school full of the superrich - stumbles into the middle of a group of bored, privileged kids who run a 'host' club to amuse themselves. The tables turn constantly. One minute Haruhi is beliguered and bullied by the rich kids, the next they're scrambling to impress Haruhi. The anime for this is also superb, though it cuts off waaaay before the manga finished, so be prepared.
Some of these are available on Amazon or even in your local bookshop. For others you might need to go to specialist manga and anime sellers, or buy secondhand. But I promise that you will be well rewarded! Exploring Japanese culture is a journey which I don't think I'll ever come to the end of, and the more people who are travelling with me, the more fun it will be.
Zxx
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Thanks Zoe for this post! I now have quite a few books (and anime) to track down on Amazon!
You can stalk Zoe:
